Image from Public Theater website
Two things are really bothering me about today’s news that monolougist Mike Daisey fabricated portions of his hit performance piece “The Agony and the Ecstasy of Steve Jobs.”
Let me get something out of the way out front: I’ve known Mike since about 1996. He was an advisor/supporter of my high school’s speech & debate team, of which I was a member. I got to know him and I considered him a mentor. Critics can easily point to that fact as an invalidation of what I have to say – go ahead; I don’t really care. In fact, this whole thing is about critics and how they use the weapons of rhetorical misdirection to further their cause (or in this case, obscure the cause of the other).
The first thing that bothers me is the terrible news that by making up portions of his theatrical piece — and then letting, and helping, that theatrical piece spread to the media, where he reported it and let it be reported as individual facts — Mike has undermined the essential, and incredibly relevant, truth of the situation. No, not the truth that Apple is evil, or the people of China are being subjicaded by an industrial complex that places profit value over human rights.
I’m talking about the truth that as our craving for an ever-increasing schedule of cheap gadgets increases, we go into deeper and deeper denial about exactly how those gadgets arrive here so quickly and so cheaply.
Why are we in so much denial about our insatiable desire for the next? Why does our pride flow so freely at the release cycle of electronics, but ebb so violently at the simple truth about the conditions under which those electronics are produced? That, folks, is the world’s finest example of shame. It’s shame on a grand, hypocritical, American scale. The irony is that it would be even more American to own up to the reality and, for lack of a better word, embrace it. No, it’s the absolutely insane cycle of cover-ups, denials, misdirections, and attacks that really has me baffled.
Predictably, widely-respected Apple blogger John Gruber is the one of the loudest of all Daisey’s critics today. Mr. Gruber remained comparatively silent on the topic of Apple’s supply chain even as it blew up into a two-month-long major national news story and ensuing conversation about an essential element of the company that is his sole beat. As he notes himself, he wrote only one piece – all of one paragraph – about Daisey’s appearance on This American Life; I can find only two other mentions on his site of the conversation around Apple’s manufacturing processes since the story broke in January. In one, Mr. Gruber calls the story “Apple’s biggest challenge.” Note the choice of words: This isn’t an issue for us to face as a nation of consumers; this is a “challenge” for Apple to overcome.
With that perspective, it’s no wonder Mr. Gruber came out swinging today. Since the news broke this afternoon that NPR’s This American Life program is retracting its “Agony and the Ecstacy” themed episdode, Mr. Gruber has now run
five six items (to date — it’s only 8:15pm EST as I write this) condemning Daisey.
In one item, Mr. Gruber declares that the only reason he’d been quiet on this issue (prior to today, obviously) is because he credits his “spidey sense” for alerting him to the fact that Daisey lied. Mr. Gruber didn’t share this insight at any point as the story exploded; he was so busy keeping his mouth shut, he couldn’t even be bothered to publicize his suspicions about the #1 critic of the company he works so admirably to defend and promote. That’s not shame; that’s shameless.
The other thing that bothers me about this news isn’t about the universal implications of a society that can’t be honest with itself. It’s about Mike. What a shame for a thinker and performer so incredibly gifted with the ability to see into us and come up with some simple truths, present them in a compelling way, and move onto something entirely different just as we wanted more.
I truly hope Mike can, unlike so many other people who fail notably and publicly, actually learn from this experience to create a message that is tighter and more trustworthy. Every artist makes a pact with his audience; Mike’s pact is that he helps us question and understand the hard truth about ourselves. If he wants to regain our trust as an entertainer, he should keep up his end of that bargain.
In the meantime, our appetite for gadgets spins madly on. Apple’s latest iPad became available last night at midnight, with the corresponding (and by accounts deserving) adulations following dutifully.
Along with that product launch comes the news that Apple’s stock price is over $600 per share. As a proud capitalist through and through, I couldn’t be happier for them, for our economy, and for the positive outlook made possible by their success. But at least I’m damn fine with the truth about why, and how, they earned it.
Critics like Mr. Gruber — and there are many others — are celebrating today’s news not because it proves Apple is right and Mike Daisey is wrong. Rather, they’re insanely relieved that the painful, potentially embarrassing journey to the truth — not about Apple, but about ourselves — might actually, finally, be cut short. Once we do stop, it will be much harder to get back on that path.
Mike, you almost brought us there. I’m just sorry it will be your fault if we don’t quite make it.